'In the underground passage of a subway station in Düsseldorf, the foundations and roots of the above are revealed: Commerce made of glass, pace in neon light, rubber-tiles, abrasion. Slowly, an aggregate clocks the access to the installation, marks and claims sole sovereignty over the space that the bamboo-wing circumscribes. What usually weighs gently and passively in the wind receives a fierce emphasis in the horizontally motorized movement. An artificial pink provides the leaves with light, promising growth even if though all water has already dried up. Its viscous residues stick under the soles of our shoes as if to hold us in place: dirty veins show a fragmentary sketch. A cardboard structure claims a part of the unsecured terrain and rocks sensitively to the rhythm of the leafy greetings. In a series of snapshots, a three-headed company shows itself in artistic formations, unstable and resilient at the same time: In the process of playful striving and dying hustle and bustle, variations of artistic identity are constituted.'
